Hello! My name's Liliana. I'm a teacher of English (Language and Literature) to Italian teenage stu

Sunday, September 13, 2026

CURRICULUM terza classe

 

CURRICULUM terza classe

LITERATURE

1) HEROES

Beowulf (epic poem)

Contemporary heroes

Martin Luther King Jr- I have a dream (speech)

Ted talks

 Matthew Winkler- What makes a hero

2) RELATIONSHIPS

Lord Randal (ballad)

The Beatles- Something (song)

Oasis- Let there be love(song)

3) TRAVEL

Daniel Defoe-Robinson Crusoe (novel)

Jonathan Swift- Gulliver’s travels (novel)

Rascal Flatts – Life is a highway (song)

4) GIRL POWER

Chaucer – The Wife of Bath (poem)

Beyoncè - Run the world (song)

History

The Celts

The Romans

The Anglo-Saxons

The Vikings

The Normans

CURRUCULUM 4 classe

 

CURRUCULUM 4 classe

Literature

1)Survival and Dominion Over Nature

  • Contemporary Issue: Climate change, resource exploitation, and survivalism.
  • Key Authors & Texts: Daniel Defoe (Robinson Crusoe — the island as a space to reshape and conquer)

2)Capitalism, Individualism, and Homo Economicus

  • Contemporary Issue: Hyper-individualism, profit-driven mindsets, and the obsession with efficiency.
  • Key Authors & Texts: Daniel Defoe (Robinson Crusoe — the self-made man) 

3)Colonialism, Systemic Racism, and Encountering the "Other"

  • Contemporary Issue: Systemic racism, Eurocentrism, geopolitical power dynamics, and cultural integration.
  • Key Authors & Texts: Daniel Defoe (Robinson Crusoe — the paternalistic master/servant dynamic with Friday)
  • Jonathan Swift (Gulliver’s Travels — Book IV: the Houyhnhnms and the Yahoos, shifting the perspective on what is "civilized" vs. "savage", exposing European superiority as an illusion).

4)The Leader, Rebellion, and the Fascination with Evil

  • Contemporary Issue: The rise of authoritarianism, the psychological allure of antiheroes in modern media, and the boundaries of justifiable rebellion.
  • Key Authors & Texts: William Shakespeare (Macbeth — toxic ambition and the psychological decay of a dictator).

5)Scientific Revolution, Exploration, and Mapping the World

  • Contemporary Issue: The loss of philosophical certainty, the thrill of new scientific frontiers (e.g., space exploration, AI), and the human need to categorize reality.
  • Key Authors & Texts: Daniel Defoe (Robinson Crusoe — the triumph of the empirical method and practical science).
  • Jonathan Swift (Gulliver’s Travels — Book III: The Academy of Lagado, a brilliant and fierce satire against useless, abstract scientific experiments detached from real human needs).

6)Love, Obsession, and Relationships: Beyond the Clichés

  • Contemporary Issue: Toxic relationships, gender fluidity, unrealistic beauty standards (social media filters), and long-distance connections.
  • Key Authors & Texts:  William Shakespeare (Romeo and Juliet — love as a rebellious force fighting social conventions, toxic family feuds, and generational gaps).
  • William Shakespeare (Sonnets 130, 18)

7) Girl Power

·       Key authors & Texts Jane Austen (Pride and Prejudice- love and marriage, social class and status, gender roles)

History

The Tudors

Henry 8th

Elizabeth I

The Stuarts

CURRICULUM QUINTO ANNO

 CURRICULUM QUINTO ANNO

1. Il Confine tra Umano e Artificiale: Scienza, Etica e Progresso

  • Problema contemporaneo: L'avvento dell'Intelligenza Artificiale, la bioetica, l'ingegneria genetica e la responsabilità dello scienziato. AI ethics, bioengineering, and genetic editing.
  • Testi e Autori chiave:
    • Frankenstein di Mary Shelley (Il superamento dei limiti naturali e l'abbandono della "creatura").
    • Brave New World (Il mondo nuovo) di Aldous Huxley (La manipolazione genetica e la felicità artificiale come controllo sociale).
    • Dr. Jekyll and Mr. Hyde di R.L. Stevenson (La scissione della psiche e l'uso incontrollato della chimica).
  • Spunto di discussione: Fino a che punto il progresso scientifico può spingersi prima di distruggere l'umanità stessa?

2. Sorveglianza, Controllo e la Manipolazione della Verità

  • Problema contemporaneo: Fake news, algoritmi di tracciamento dati (capitalismo della sorveglianza), cyber-guerre e regimi totalitari moderni. Digital surveillance, algorithmic bias, and data privacy.
  • Testi e Autori chiave:
  •  1984 di George Orwell (La riscrittura della storia, la neolingua e il Grande Fratello).

 

  • The Handmaid's Tale (Il racconto dell'ancella) di Margaret Atwood (Teocrazia, controllo del corpo femminile e limitazione dei diritti).

 

·       Spunto di discussione: Come si difende la libertà di pensiero in un mondo dominato da algoritmi e sorveglianza costante?

 

3. Crisi Ambientale e Antropocene: La Natura Ferita

·       Problema contemporaneo: Cambiamento climatico, eco-ansia, transizione energetica e attivismo ambientale.

Climate crisis, ecological collapse, and species extinction.

  • Testi e Autori chiave:
    • The Rime of the Ancient Mariner di S.T. Coleridge (La rottura del patto sacro tra uomo e natura e la conseguente punizione).
    • La poesia romantica di William Wordsworth (La natura come forza spirituale in contrasto con l'industrializzazione).
    • Hard Times di Charles Dickens (Coketown come simbolo della distruzione
  • Spunto di discussione: La letteratura può aiutarci a riscoprire l'empatia verso il pianeta prima che sia troppo tardi?

 

4. Identità, parità di genere

  • Problema contemporaneo: identità sui social media,  parità di genere, diritti individuali                                                                                                                     Human rights, Social media identity, the influencer economy
  • Testi e Autori chiave:
    • Mrs. Dalloway  di Virginia Woolf (Il flusso di coscienza come esplorazione dell'identità)
    • The Picture of Dorian Gray di Oscar Wilde (L'estetismo, la maschera sociale e la doppia vita nell'era vittoriana).
    • Ulysses di James Joyce (Il flusso di coscienza come esplorazione dell'identità)

·       Spunto di discussione: Come si è evoluta la lotta per i diritti individuali?

 

5. Post-colonialismo, Migrazioni e l'Incontro con l' "Altro"

  • Problema contemporaneo: Crisi dei rifugiati, razzismo sistemico, eurocentrismo e la ricerca di una cittadinanza globale.                                              Xenophobia, neo-colonialism, and modern migration barriers.
  • Testi e Autori chiave:
    • Heart of Darkness (Cuore di tenebra) di Joseph Conrad (La critica e le contraddizioni del colonialismo e dell'imperialismo).
    • Refugee Blues di Auden

·        Spunto di discussione: Chi ha il diritto di raccontare la storia? Come possiamo decolonizzare la nostra mente?

Autori oggetto di studio

1.    Wordsworth

2.    Coleridge

3.    Stevenson

4.    Dickens

5.    Wilde

6.    Huxley

7.    Orwell

8.    Atwood

9.    Auden

10. Conrad

11. Virginia Woolf o Joyce?

Friday, September 11, 2026

ICEBREAKERS for the early days of school

 REAL SUCCESSFUL ACTIVITIES WITH STUDENTS in the second or third class

1)Split the class into two teams and write down an adjective relared to personality on a slip of paper.

Each student reads the definition of the adjective or give a synonym of it. His own team should guess the word.

As a result his team gets one point. 

The team getting the most points wins!

2) Write adjectives or verbs related to each vowel sound or consonant sound of your name

Example

Joyful 

Emotional

Nice

Neglectful

Yappy



Frankenstein in the age of AI
























 
















Wednesday, September 9, 2026

A song to learn sound devices and figures of speech


 

ICEBREAKER FIRST LESSON

 


2000
                               2
                                                                                                               2004
                                                        2006
grrek yoghurt with oat flakes
                                                                                         
                                                                                                        doing the chores
                           reading, watching movies in English, travelling
                                             
                                               
                          
                              lying on the beach and doing the crosswords


                                                                       Iceland and Grrenland





Tongue twisters


 

Wednesday, May 20, 2026

THE PRONUNCIATION OF ED

PUT THE  REGULAR VERBS INTO THREE COLUMNS

          D                                                                       T                                                    ID


LIKE   WASH  LIVE  WALK  PLAY  WATCH  LOOK  TRY  ENJOY  LISTEN  PLAY  JUMP

TALK  PAINT FAINT  CHAT  STUDY    BORROW   DANCE   ANSWER  ARRIVE  PICK

TRAVEL   TOUCH    NEED  ARREST    SCORE  DROP   LISTEN    CATCH

ADVERB FORMATION




ADVERB FORMATION

Regular (+ly): Quiet, slow, loud, careful, quick, brave.

Ending in -y (y ➔ ily): Heavy, happy, angry, noisy, easy.

Ending in -le (e ➔ y): Gentle, terrible, simple.

Irregular (no -ly): Fast, good, hard.


A student  draws a secret adjective from a basket (e.g., Angry).

The other students must yell out a command to the student using the correct adverb form of the adjective . For example:

"Walk angrily around the chairs! Pick up the book angrily!"


 Task 1: Fix the Agent's Report

Instructions: A clumsy secret agent wrote this mission report, but they made 5 spelling mistakes with their adverbs of manner. Find the mistakes and write the correct spelling below.

"The mission was intense. I opened the door noisily and entered the room. The laser grid was moving, so I had to jump fastly to the left. I grabbed the hard drive carefuly and stuffed it into my bag. A guard shouted, so I ran noisily down the hallway. I managed to escape easyly through the window, landing loghtly on the grass below. Mission accomplished goodly."


TASK 3 Write 5 sentences describing how an evil movie villain does everyday things. Use at least three adverbs from the box below.

Example: The villain eats his breakfast greedily.

Greedily (eating or taking too much)


Clumsily (without care or grace)


Angrily (with pure rage)


Cruelly (to cause pain or distress)


Rudely (without manners)


Lazily (with zero effort)

Task 3 Fill in the blanks with the missing adverbs of manner you hear.

"Day 4 at the villain’s mansion. I sneaked past the security cameras 1 ______________. I knew I had to move 2 ______________ because the guards were patrolling the perimeter. I found the safe and turned the dial 3 ______________. It clicked open! Suddenly, an alarm rang out 4 ______________. I grabbed the documents and drove away 5 ______________ into the night."

Task 4 Continue one of these stories  (100 words)

Diary Entry A

James walked slowly into the dark room. He looked fearfully around the corners. He breathed heavily as he unlocked the desk drawer noisily.

Diary Entry B

James walked confidently into the dark room. He looked eagerly around the corners. He breathed calmly as he unlocked the desk drawer quietly.

The 4 Golden Rules of Adverb Formation

Rule TypeAdjective EndingFormula / TransformationExamples
Rule 1: RegularMost adjectivesBase + LY

• Quick ➔ Quickly


• Careful ➔ Carefully


• Bad ➔ Badly

Rule 2: The -y SwapConsonant + -yDrop -y, add -ILY

• HappyHappily


• AngryAngrily


• EasyEasily

Rule 3: The -le DropConsonant + -leDrop -e, add -Y

• GentleGently


• TerribleTerribly


• SimpleSimply

Rule 4: The -ic AddAdjectives in -icBase + ALLY

• AutomaticAutomatically


• TragedicTrag

 No CHANGE

ADJECTIVE  ADVERB

FAST                FAST

LATE              LATE

EARLY          EARLY

HARD            HARD 

Speed & Energy

  • Quickly / FastSlowly

  • EnergeticallyLazily

Volume & Force

  • Loudly / NoisilyQuietly / Silently

  • HeavilyLightly

  • Forcefully / AggressivelyGently / Softly

Care & Skill

  • CarefullyCarelessly

  • WellBadly

  • EasilyWith difficulty (Note: "Hardly" is not the opposite of easily!)

  • CleverlyFoolishly

Emotion & Attitude

  • Happily / CheerfullySadly / Gloomily

  • PolitelyRudely

  • GenerouslyGreedily




created by Gemini A.I. 


Wednesday, May 13, 2026

EXERCISES PAST TENSE

 Look at the following answers. Write the question that would prompt each specific response. Pay close attention to the irregular verbs!

  1. Answer: No, I didn't go to the party last night.

  2. Answer: I saw a documentary about space on TV.

  3. Answer: They went to Paris for their honeymoon.

  4. Answer: She bought that dress because it was on sale.

  5. Answer: He came home at midnight.

  6. Answer: I ate a sandwich for lunch.

  7. Answer: We found the keys under the sofa.

  8. Answer: My mother gave me this watch for my birthday.

  9. Answer: Yes, he drank all the orange juice.

  10. Answer: They wrote three letters to the manager.




The Rule: Subject vs. Object Questions

1. When to use "DID" (Object Questions)

We use did when the interrogative pronoun (Who, What, Which) is the Object of the verb. This means the Subject is someone or something else.

  • Formula: Question Word + DID + Subject + Base Verb?

  • Example: "Who did you see?"

    • Subject: You

    • Action: Saw someone

    • Who: The person you saw (the object).

2. When NOT to use "DID" (Subject Questions)

We do not use did when the interrogative pronoun is the Subject of the verb. The question word is the person or thing performing the action. In this case, we just use the Past Tense form of the verb.

  • Formula: Question Word + Past Tense Verb?

  • Example: "Who saw you?"

    • Subject: Who (someone performed the action of seeing you).

    • Action: Saw

    • Object: You.


Summary Table

Question TypeFocusHelper?Example
Object QuestionYou want to know who/what received the action.Yes (did)What did you buy?
Subject QuestionYou want to know who/what performed the action.NoWhat happened?

Exercise: "Subject or Object?"

Instructions: Fill in the blanks. Decide if you need the auxiliary did + base verb, or just the past tense of the verb in brackets.

  1. Who __________ you __________ at the mall yesterday? (to meet)

  2. Who __________ to the party last night? (to come)

  3. What __________ that loud noise? (to make)

  4. What __________ you __________ for dinner? (to make)

  5. Which team __________ the game on Sunday? (to win)

  6. Who __________ this beautiful picture? (to paint)

  7. Which car __________ you __________? (to choose)

  8. What __________ on the news this morning? (to happen)

  9. Who __________ you __________ about the secret? (to tell)

  10. Who __________ you about the secret? (to tell)

created by A. I.

Tuesday, May 12, 2026

INDEFINITE PRONOUNS used to say chiunque, qualsiasi cosa

 

The "Any-" Pronoun Quick Guide

PronounCategoryItalian EquivalentUsed for...
Anyone / AnybodyPeopleChiunque / Nessuno / QualcunoAsking about people, or saying "it doesn't matter who."
AnythingThingsQualsiasi cosa / NullaAsking about objects/actions, or saying "it doesn't matter what."

Exercise 1: Choose the Correct Word

Pick between anyone/anybody (people) and anything (things).

  1. I’m bored. Is there _________ interesting to do today?

  2. Does _________ know what time the bus arrives?

  3. I went to the store, but I didn't buy _________.

  4. You are so smart; you can learn _________ if you try!

  5. The room was empty; I couldn't see _________ at all.

Exercise 2: Positive, Negative, or Question?

Fill in the blanks using anyone or anything. Pay attention to the sentence type.

  1. (Negative) I am so tired that I don't want to do _________ tonight.

  2. (Affirmative) This task is very simple; _________ can do it.

  3. (Question) Did _________ call me while I was in the shower?

  4. (Affirmative) You can sit _________ you like; all these seats are free.

  5. (Negative) He was very quiet; he didn't tell _________ his secret.

Translation Exercise: Work & Technology

  1. Non ho detto niente (qualsiasi cosa) al mio capo riguardo alla riunione.


  2. Chiunque può imparare a usare questa nuova applicazione; è semplicissima!


  3. C'è qualcuno (chiunque) in ufficio che sa come riparare la stampante?


  4. Se hai bisogno di qualsiasi cosa per il tuo progetto, mandami un'email.


  5. Non ho visto nessuno (chiunque) rispondere al telefono stamattina.


  6. Puoi chiamare chiunque nel team se hai un'emergenza durante il weekend.


  7. Il tecnico non ha trovato niente di strano nel mio computer.


  8. Non dare la tua password a nessuno (chiunque), nemmeno ai colleghi.


  9. Hai sentito qualcosa (qualsiasi cosa) riguardo alla nuova posizione lavorativa?


  10. Chiunque voglia candidarsi per il lavoro deve inviare il CV entro venerdì.


The "-ever" Forms (Whoever & Whatever)

While anyone and anything are the most common, we use whoever and whatever when we want to emphasize "no matter who" or "no matter what," often acting as a connector between two parts of a sentence.

  • Whoever (Chiunque): "Whoever broke the window must pay for it."

  • Whatever (Qualsiasi cosa): "I will do whatever it takes to win."

Fill in the blanks with anyone, anybody, anything, whoever, or whatever.

  1. Does _________ have a pen I can borrow?

  2. You can choose _________ you want from the menu; it's my treat!

  3. I’m so hungry, I’ll eat _________.

  4. _________ called me left a very strange voicemail.

  5. I didn't see _________ I recognized at the party.

created by A.I.